It’s also much lighter. You wrote “it adapts well with the MC-11” regarding Sigma 150mm f2,8 macro. Here I would simply experiment with the smallest print size you are interested in. Découvrez notre unboxing (déballage) de l'objectif 28 mm F2 pour les appareil photo Sony Full Frame à monture E : Sony A7, A7II, A7S, A7SII, A7R et A7RII. M42 extensions, macro slide and M42 to Sony E adpapter. It’s IF (Internal Focusing) auto focus system is compatible with both phase detect and contrast detect sensors for fast, quiet and accurate focus detection. I would have been very interested in the macro – but my other lenses don’t have bad minimum focus distances & I fed up. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. Jannik owns one and likes it. If you feel limited by then lens then I would probably buy a used Sony 2.8/50 Macro for around $350 since working with a longer lens could be indeed cumbersome since you will find it hard to get far enough from your prints. Although I was worried about the lack of AF on the CV110, it doesn’t seem too difficult shooting in manual mode. The lack of EXIF is a pain, I’d like to be able to view back the f stop so I can learn from mistakes, but this is a minor gripe. An outstanding lens. All like to use manual lenses and have a passion for the outdoors. For macro photography I would recommend checking out this guy’s reviews: https://www.closeuphotography.com/lenses/. Moreover, even very cheap microscope objectives thoroughly trounce the Canon MP-E 65mm’s resolution at 5x magnification. far corners more? https://1drv.ms/f/s!ApChBCAABuR-hoRBg22OPxEprLhwCQ A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects. You worry for no reason. Which would create a 1:1 magnification for a Pentax Camera. So a 1 diopter lens will focus at 1/1 = 1 metrs. Funny thing is each version of the lens has different aperture blades: Sony 13, Canon 9, Nikon 7. The G90 has some dust/moisture resistance (which is debatable, as there is no gasket). Introduction Introduced in October alongside the 36-Mpix A7R, this SLR-style mirrorless model with its 24-Mpix full-frame sensor has been eclipsed somewhat by the promise of more highly detailed files from its sibling. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. But they are only available in 72mm, are large and heavy, and expensive. The Bokina has a smoother bokeh, but not that much. SIGMA sd Quattro Hybride APS-C équipé du capteur foveon, compatible avec les objectifs SIGMA Global Vision. https://www.venuslens.net/product/laowa-100mm-f-2-8-2x-macro-apo/. Phillip, thanks for such a useful review. Could the Zeiss 85/4 Tele-Tessar be made to work for macro? Summary…a wonderful lens from LifeSize to infinity. Do you know if the strong copy to copy variation of Sony 90 f2.8 is still live in 2019? Si vous utilisez un objectif NEX au format APS-C, vous ne pourrez pas utiliser pleinement le capteur et la résolution s’en trouvera divisée par deux environ…ou alors l’image sera inscrite dans un rond noir à cause de l’énorme vignettage. Consistently excellent image quality right into the corners makes the lens perfect for the challenges of, for example, landscape, astro and architectural photography. ; 3 Wi-Fi: If the mobile device is not compatible with NFC, the camera can still connect via Wi-Fi. A bright f/2.8 maximum aperture is useful for working in a variety of lighting conditions and the minimum f/32 aperture helps to attain a long depth of field when working with close-up subjects. With only the CV 65 to go off – it seems to me that the loxia affords greater clarity & resolution as it is stopped down & that is really where my interest lies !!! How does it work ? There are also lenses with a magnification ration greater than 1:1 which usually can’t focus to infinity. Copy variation (according to Roger Cicala) is something which doesn’t change because to combat it it needs to be addressed from the design stage on. So yes, I was trying to gain a perception of how much shallower is the DoF, especially in close ranges (1:1, 1:2) that I usually tend to shoot. Other things in my mind include build quality (+CV110), and lack of weather resistance for both. It seems a shame there isn’t a reputable and high quality manufacturer of extension tubes. Guide to Ultra Wideangle lenses for the Sony A7 Series V1.3; Review: Sigma 50mm 1.4 EX – Still worth getting in 2020? We carried a measuring stick. The Loxia 85mm 2.4 works very well with an extension tube, have a look at this article. Sony A7 I and A7 II series are compatible with UHS-II. The typical measure for how small the subects you can capture will be is the reproduction ratio. 1:1 or 1:2, I usually take shots where only a small portion of the image (say 20% max) will be within sharp focus. Thanks! The Nikon version has a better tripod collar and is also an excellent lens to use on Sony although automation of the diaphragm requires one of the special Nikon to e-mount automatic adapters. The Canon MP-E is one lens, which can set to any magnification between life size and 5x. Another way would be to adapt for example a cheap Olympus OM 3.5/50 Macro, your application play to its strengths. I’ve tested its centering issue with your method, and I’m quite happy with that. Length: 105.8mm | Diameter: 71mm | Weight: 562g | Filter Thread: 49mm | close focusing distance (1:1): 70mm | Price (July 2020): $469 | review (EF-version) | User Report on mirrorlessons.com, Amazon.com | B&H | Ebay.com | Amazon.de (affiliate links). 1. It’s also easier to magnify the image and get exactly the part you want in focus with manual focus than moving the AF point, using AF, locking it, and then checking to make sure it was correct. Is it better sharpness? You can se the main lens to infinity, and the close up filter may make it focus much closer. Interestingly both of these lenses seem to have similar or identical optical formulations and both were released around the same era. Everybody likes the Olympus OM Zuiko Auto-Macro 1:2/90 mm. We haven’t used it ourselves but going by other people’s reviews it seems to good a decent performance at macro distances when it is stopped down but comes with severe vignetting and distortion at longer distances. Tried any medium format macro on Sony yet? The author recommends the Sony 50 mm macro but “also tested the 90mm macro, which is a more modern lens. Thank you for all input. But no-one makes one for full frame! Most probably the best what you can get for little money. I wrote an updated version of this post using a Sony A7R III. This reproduction ratio is called life size. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. Also, the longer the focal length, the less useful extension tubes are and the more useful close up lenses become…and vise versa for shorter focal lengths. Any experience with these or a recommendation for a higher quality extension tube? With outstanding imaging capability and high-speed performance contained in a compact body, the Sony a7 III (Amazon, B&H, Adorama) mirrorless camera gives you the power, precision, and flexibility to capture once-in-a-lifetime moments just as you like. This lens – a 500mm mirror – a 50mm !!!! Using a macro both for macro and portrait can work well but unless you plan to do some macro in nature I would buy buy a FE 1.8/85 or Samyang 1.4/85 which supplements your 1.8/55 well. I know that in theory, right now on my APS-C body I ve got 1.6:1 magnification and slightly larger DoF compared to what I’ll have if I was to switch to FF. Thanks again for all you guys do – all the best, It’s a shame this has happened – I think I ordered & paid in July – but there doesn’t seem to be an end to it & no information or updates, I would really like a 75-150mm 4.0 zoom in the Loxia lineup…. Rokinon AF 35mm f/1.4 FE ($799): The new ROKINON 35mm F1.4 AF Full Frame lens for Sony E is designed to appeal to enthusiasts and professionals who are ready to take the next step up in wide angle photography where outstanding image clarity, contrast, color fidelity, high corner to corner resolution are priority. The trick is if you are in manual focus mode pressing the AF-ON button or half pressing the release will stop the lens down for a preview. I find tokina to be good at macro and very good at far away subjects …. Best Lenses for Sony a7 III full frame E-mount mirrorless camera. On the other hand I’m at the moment also researching a portrait lens. Fairly lightweight, too. I mean – is it uniform across the frame? Review | Amazon.com  | Amazon.de | Ebay (affiliate Links). Hi Thomas, I see you have the macro 1200 flash Leica Visoflex on an M3 solved that problem, but focusing through our final stopped down aperture was inaccurate. for that application a Novoflex is probably overkill. Hi and thank you for your post on macro’s! Probably the best are the Raynox DCR-5320PRO, which comes as a 2 diopter 2 element lens, a 3 diopter 3 element lens, and can be stacked to give 5 diopters. The precisely configured 9-blade aperture delivers smooth, pleasing bokeh at all settings. A 35mm will have less. Il fait partie de la gamme G de Sony, on a donc affaire a un objectif à la qualité de construction remarquable, qui offre également une qualité d’image superbe. Recommendation: While you can certainly get decent results with it we find it hard to recommend since the cheaper Sigma 2.8/70 doesn’t have the same CA issues and better sharpness while the Sony G 2.8/90 is a better lens in any regard. Before deciding what to buy, you need to think about what you want it for. But imagination is not the same as testing~. The Sony lens with 62 mm filter thread is therefore definitely second choice. So, the Sony a7 III is an ideal full-frame mirrorless camera for enthusiasts, hobbyists and professionals alike. It is suitable for full format and shows nearly zero CA, even if cropping the image. It just feels so nice. The series then goes to 1:2, the magnification which is the best some “macro” lenses can achieve. Also this combination has a nearly perfect flat-field correction. If you only occasionally need to focus close, or if you are travelling and don’t have room for your macro lens, you can consider adapters that allow you to focus closer. Copy variance is something to be aware of with the Sony so make sure you buy from somewhere you can return it. It covers macro up to 1:1 and can also be used for portraits (very appealing and smooth bokeh) and general or landscape shooting. How about enlarging lenses, eg Fuji Ex, Nikkor, Rokkor CE? Unless you love resolution I might also be tempted by A73 over A7r2. Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498): Highly recommended! Thank you very much for your answer, I’m just passionate about photography, I wanted to help in your web of manual lens. Unless you are using a 150-200mm macro lens with a 2x Teleconverter, that keeps working distance convenient but comes with other caveats obviously. Some lenses require that you work like you would in the lab, rather than free and easy shooting. (I have a Sony 90mm). But no longer head and shoulders above the competition, and the price is not low. effective megapixels. If you already own one or can get one for a good price you should be able to get nice images out of it but I probably wouldn’t pay what is normally paid for it on ebay. The YN-560 III and IV are a single firing pin flashes and are compatible with most cameras having a standard hotshoe when mounted directly on the camera. I genarally liked its peformance, but what I didn’t expect was its enormous focus breathing. I wasn‘t aware of the Mitakon. Thx. One more question please – in 1:1 (life-size) shooting, which of the two is the sharpest? I was thinking of the S-Planar 100mm (and 60mm) C/Y lenses, which were macros optimized for close distances. But for this article, a kind of beginners orientation, some of us thought that even the MPE was going too far…. Or do you want to use the lens for other purposes most of the time and only capture occasional macro images? I would have mentioned also the Minolta AF 100mm F2.8 Macro as a ‘cheap’ alternative for the Sony G 2.8/90. i need a very good ( sharp & contrasty) lens for macro and landscape . The second is easier. Sorti en début d’année 2015, le Sony Alpha 7 II, appelé aussi Sony A7 II ou α7 II est un appareil photo hybride à capteur plein format.Il succède au Sony A7 et apporte pas mal de changement, à commencer par un système de stabilisation du capteur sur 5 axes, qui permet de réduire les tremblements incontrôlés de l’appareil. The Sony FE 1.8/85 is actually the portrait lens I was considering but it’s expensive, so I’ll take a look at the Samyang. 1: macro use as in your very good review But will it make my macro work harder? If it’s plants that you care about; say flowers or parts of flowers focal length is less crucial. Camera makers produce 35mm APSC lenses because they are 50mm equivalent on an APSC body. The website link I listed is for the Minolta images I have on Flickr. Besides, I ll be only getting one macro lens (which means spending a monthly salary just for that…) Can’t afford to have both :/. I paid $150 for mine with the 1:1 adapter. Thanks. I used it for over a year until I got the Sony. Thanks Bastian! KOPIL Folding Bellows M42 (obviously provided that it’s well taken cared off e.g. I prefer the Contax Carl Zeiss Makro-Planar T* 60mm C f/2.8 for the A7II, but it’s a 1:2 macro. The distance between the front of your lens and your subject is called working distance. If the front of your lens gets really close to your subject you might make it flee or cast a shadow onto it. Dunno about cheap ones, but yeah a reasonable plan or APO plan microscope objective will do better at 5x and you can get 10x with good results. Cheers, Les Sergeant. Reminder: There are many comparisons of Zeiss Batis 18mm f/2.8 vs Zeiss Loxia 21mm f/2.8…Our suggestion is: if you love the convenience of autofocus, and you often shoot astro-photography, architecture (outdoor and indoor), or shoot in rough weather conditions, then go to the Zeiss Batis 18mm f/2.8. On a FF body 1:1 is achieved at 28cm. Here is how the MTF performance looks like at 28mm: Now, I ve managed to save some money to enhance my photography experience, and I m in a dilemma here. Anyone have experience with the older non-Di version? For it’s price, it seems like getting Zeiss-level qualities for half price! Once digitized I intend to restore them with Lightroom and Photoshop. Use the lens hood and recommend the 1:1 (2x) extension. In this case, probably the A7R3. Zuiko Auto-Macro Lens 135mm f/4.5 attached to Telescopic Auto Tube 65–116) are still available at the used market for modest prizes. They are just tubes that go behind the lens, pushing it further out that it’s own helicoid can manage, thus making the lens focus closer. Sony A7 has a Sony E lens mount and currently there are 127 native lenses available for this mount. It’s relatively cheap, and goes to 1:1 which you need for neg duplication, and much sharper at 1:1 than classic ones. Designed as the ultimate portrait lens, the new Sony FE 85mm F1.4 GM telephoto prime lens strikes a perfect balance between resolution and bokeh in a compact package. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range with outstanding sharpness, fast AF and compact design. For copying I couldn’t tell you. The series starts at 1:5 which is the kind of magnification you might get with a non-macro lens which nevertheless has closer than usual focus. Rokinon AF 50mm f/1.4 FE Lens ($699): Designed specifically for Sony full frame E-mount cameras, this new high speed prime combines advanced optical technology with a fast, quiet and precise auto focus system. Sharpness to my eyes is great corner to corner. I wouldn‘t expect a noticeable loss of IQ. I couldn’t find a ‘bellows nex-pk’ adapter’ that would be 27mm shorter than the standard nex-pk lens adapter. He was Nikon’s ambassador for the D850. It seems like it would be better using floating lens elements for even sharpness at every focus distances, but I guess there might be some sharpness advantage at specific focus point when using whole group focusing system. This classic Canon macro lens adapts well on the Sony system. Other than that, I can see that the 110APO is still rolling. One brief extra bit of information: if you divide 1 by the number of diopters of the achromat, you get the rough distance the combination will focus when the main lens is focussed at infinity. The following two tabs change content below. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. Thanks. For professional portrait photographers and those who want the very highest in quality, the new Sony FE 85mm f/1.4 GM Lens is the lens you must need and you won’t find a better FE-mount lens! Ideal for landscapes, architecture, close up portraits, sports, action and much more. Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. So should I keep my 55 mm prime lens for general use as well as photoreproduction (although not ideal for it), and buy a 70mm portait lens? But for this article we were interested in lenses for beginners, and even though the work required to use these is not great, it would be think intimidate beginners, so our coverage was restricted to all in one solutions. We hope to have helped you with your decision. An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. Does that include autofocus/stabilization as well ? It is of course quite heavy (2.08 kgs) and may require a tripod in most cases. Here are the top recommended Sony a7 III lenses. Decently sharp, nice colors and works good as an allround lens. You couldn’t buy a more universal prime. Sony FE 16-35mm f/2.8 GM ($2,198): Amazing fast and flexible wide-angle zoom lens! Laowa is known for unconventional lenses and their first lens is no exception since it is the only macro we know of which allows both a magnification of 2:1 (twice life size, not half) and infinity focus. Will I get a decent copy? Its aperture is not automatically opened up when the camera is turning on, but the aperture preview function can fix the problem. This is a use for which working distance is a real issue, so longer lenses around 100mm (90-120) are indicated.