“All Over Town” is their singalong anthem, neatly positioned in the middle to ease the pace. (Alexandra Pollard), Assisted by veteran producer John Congleton (St Vincent, John Grant), he channels the spirit of David Bowie and Iggy Pop. 6 /6 Share. This was one of the last songs written for the new album,” he added. (Roisin O'Connor), On Deerhunter’s eighth album, frontman Bradford Cox takes on the role of war poet, documenting the things he observes with a cool matter-of-factness, and heart-wrenching detail. Addressing a younger version of herself, the 37-year-old sings of the carefree young and their mistrust of those defeated by time. (Alexandra Pollard). Écoutez de la musique en streaming sans publicité ou achetez des CDs et MP3 maintenant sur Amazon.fr. This time, with When I Get Home, Solange has effectively given us permission to rest. l enjoyed the muted, Afro-tinged authenticity of “Level Up” and the conscious, pasty-girl reggae of “Business Dinners” (on which she refuses to be an industry angel) and I loved the Robyn-esque rush of “Basic” (which sees her yearning to shed love’s complications). “House of Glass” is a sequence of frenzied mutterings with a buzzsaw guitar cutting through his attempts to convince himself of love’s existence. She joins forces once again with PJ Harvey collaborator John Harvey, and also enlists Welsh musicians Stephen Black (Sweet Baboo) and Huw Evans (H Hawkline) plus Clare Mactaggart on violin, giving Designer a generously textured feel. The anxiety and pride of impending parenthood converge on “Seventeen”, a paean to the invincibility and melancholy of adolescence. Dave spends Psychodrama addressing issues caused by the generations who came before him. Independent Premium Comments can be posted by members of our membership scheme, Independent Premium. Comment les évaluations sont-elles calculées ? Produced by Rapsody’s long-time collaborator and mentor 9th Wonder, the record samples cuts from Herbie Hancock’s “Watermelon Man” (“Whoopi”) and Phil Collins’s “In the Air Tonight” (“Cleo”), offers a smooth R&B joint with “Aaliyah” featuring the late singer’s ghostly backing vocals, and includes an interlude that is “an ode to the black woman’s body”. Twelve Nudes is Furman’s most urgent and cathartic record to date. Vos articles vus récemment et vos recommandations en vedette. Désolé, un problème s'est produit lors de l'enregistrement de vos préférences en matière de cookies. The album was promoted in North America with the Tiny Love Tiny Tour at small venues in New York, Montreal, San Francisco, Los Angeles and Mexico City. Explain your version of song meaning, find more of Mika lyrics. “But I know what I’m showing.” The US artist’s words ring true throughout his fifth studio album, IGOR, where he adopts the dark and twisted mutterings of the Frankenstein character from which the record gets its name. “I know it’s late for lullabies, but the future is yours and mine,” he sings, alongside upbeat whoops and Radio 2-friendly guitars. Hopefully fans will, too. (Jazz Monroe), BMTH frontman Oli Sykes wants to assert the fragility of the boundary between love and hate. Shucks. Social Cues is an album where Shultz bares his soul, and apparently shakes off a few demons in the process. Written in the aftermath of Hackman’s split from fellow musician Amber Bain – aka The Japanese House, who released her own reflection on their break-up on her debut album Good at Falling – Any Human Friend is a satisfyingly dismal affair that is certainly not suitable for the four-year-old who inspired it. Maybe drunk-dialling isn’t always such a bad idea. Philippe Zdar – one half of the French duo Cassius and producer for the likes of MC Solaar and Phoenix – helps the band reconcile their house and hip-hop influences. Where a full album produced by Kanye West (2018’s Nasir) didn’t pan out – perhaps because West’s perfectionism was a bad fit for Nas’s penchant for procrastination – “You Mean the World to Me” sounds like it would have been a standout on that record had it not been abandoned on the cutting-room floor. “Black”, the most recent single from the record, considers what that word means to different people around the world, as well as to Dave. His own sharpest critic, he winks at the journalists who’ve called him glacial as he drops from remote, icy falsetto into a richly grained, deeper tone to ask: “Doesn’t it seem much warmer?” (Helen Brown), While he recognises his roots and includes plenty of nods to grime, AJ Tracey's magpie’s eye for a good melody or hook extends far beyond that. The fragmented strings in “Movies”, a song about the falsities of Hollywood romance, recall the chaotic minimalism of Arthur Russell. Tarantino bossa novas and Velvets drones are all imbued with a luminous, cultured seediness, like the entire Cannes Film Festival owning up to its social diseases. There are sax solos (more than one), and pounding rhythms that make you want to jump in a car and drive down a highway at sunset, and blistering electric guitars next to classic troubadour acoustics. This is a new side of Deerhunter that gives the listener much to contemplate. III is Banks’s most cohesive album to date because she’s no longer restricting herself to exploring one feeling at a time. Comment and share your favourite lyrics. The album’s lead single, “Me!”, is peppy and poppy in all the wrong ways, a rictus grin of a song that rings hollow. On “AtalantA”, she showcases her muscular vocals, which are capable of switching between an airy lilt to a deep, emotional moan, as she sings lyrics inspired by the Greek hunter goddess who refused to marry. It’s no wonder she’s lent it to the likes of Perfume Genius, Drugdealer and Ariel Pink: it adds a touch of profundity to everything it meets. Her second, I’m Not Your Man, was scuzzier and more explicitly queer – a road she continues down with Any Human Friend, a blunt, bold album on which Hackman’s beatific voice sits atop methodically messy instrumentals. Yet for all its darkness, Beneath the Eyrie is brimming with the kind of melody that we expect from these indie-rock giants from the late Eighties. L’aspirazione è quella di diventare una versione migliore di me stesso ed andarne orgoglioso. (Roisin O'Connor), The record frequently switches in tone: Banks can be both formidable and vulnerable, accusatory or filled with regret. Deforming Lobes is unpredictable and invigorating – the best representation of Segall’s restless creativity to date, not to mention the most fun to listen to. “Now we do grown.” (Ian McQuaid), Bruce Springsteen seems to have told almost every tale in the grand old storybook of American mythologies, except perhaps one: a wide-eyed Californian dreamer finds the Golden State turns sour and flees back east, to some romantic speck of a town, to pine and rehabilitate. Top CD Stubs; Documentation ... Development; English Deutsch; English; Français; Nederlands (reset language) Help Translate; Ice Cream ~ Release group by MIKA. The energy here is thrilling, the strong rhythm section provided by former Detroit garage band The Greenhornes’ bassist Jack Lawrence and drummer Patrick Keeler. Trente-neuf degrés, trop chaud pour les abeilles. Titanic Rising isn’t Bob Seger meets Enya. comme j'ai fait une erreur de manipulation, je suis déçue. But it was worth the wait. $18.95 $ 18. Perhaps this will put her at the top where she belongs. The latter is a wide-eyed, strings-laden gem, its childlike, questing lyrics poignant whatever your age. Scopri Ice Cream di Mika su Amazon Music. Three of her past albums have been nominated for Mercurys; expect this to make it four. 31 MAGGIO - Musica / News / People / Spettacoli Mika: “Ice Cream è una fantasia da sogno ad occhi aperti” Scritto da: Carmen Pugliese “Sono andato alla ricerca di chi avrei potuto essere, se non fossi stato Mika” esce oggi il nuovo singolo scritto in Toscana My Name Is Michael Holbrook. The singer-songwriter’s nomadic personality is reflected in the vast scale of reference points on her new record, In a Galaxy. (Elisa Bray), Given our current preoccupation with the Eighties, you could argue that Lost Girls is hardly breaking new ground – and yes, nostalgia is a fairly generic formula. Where most rock superstars sink into trad tedium by 69, Springsteen is still crafting sophisticated paeans of depth and illumination, a rock grandmaster worthy of the accolade. Livraison accélérée gratuite sur des millions d’articles, et bien plus. (Patrick Smith), MUNA might not be a household name yet, but their influence runs through the charts like a stick of rock these days. FUN LITTLE TOYS 2 Pack Ice Cream Pull Back Truck with Light and Sounds, Metal Diecast Cars for Toddler, Play Food Trucks for Girls. It is certainly a drastic switch-up from Freedom’s Goblin (2018), which had 19 tracks and ran for 75 minutes. *IR refers to max + Idol Road complete with no Limit Break. On opener “Shine a Light”, the riffs are big, the momentum irresistible, with frontman/guitarist Dan Auerbach layering scabrous licks over AC/DC-like chords. À la place, notre système tient compte de facteurs tels que l'ancienneté d'un commentaire et si le commentateur a acheté l'article sur Amazon. “Voices” has him singing over an old-school garage beat, fighting off personal demons. At an age where the pressure is on to have everything worked out, Harding sounds delightfully free. Le dernier single de Mika, plein de rythme, de fraîcheur, sur lequel on aura envie de danser tout l'été entre deux crèmes glacées ! Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. Après {Sound of an Orchestra}, créé pour la télévision italienne, Mika est de retour en 2019 avec le single {Ice Cream}. Mika est de retour avec un nouvel album 'My Name Is Michael Holbrook' dont le premier single 'Ice Cream' est un hymne pop, irrésistible, turbulent et provocateur. He has Springsteen’s rousing holler, and the early indications of someone who could be the voice of a generation – not because he wants to be, but because he sees things and understands. It’s better. [ソルティソルベ] 影片 みか Stats Rarity (min/max/IR): 4,820 / 11,736 / 19,349 (min/max/IR): 2,240 / 5,456 / 10,671 (min/max/IR): 2,770 / 6,746 / 11,050 *Max refers to stats at Max lvl w/o Idol Road or any Limit Break. (Alexandra Pollard), One could argue that there’s too much eclecticism here – that if this really is Crow’s final LP, she perhaps could have gone for something with a more singular sound. Thirty-nine degrees, too hot for the bees. “Wake Me When it’s Over”, the third track on In the End, could be “Zombie”’s twin. (RO), On his debut album, the 24-year-old Collard mixes sultry jams that recall the electronic funk of MGMT with nods to the greats: Prince, James Brown, Led Zeppelin and Marvin Gaye. The result is a quintessentially London record, as dark and moody as it is brash and innovative. It couldn’t be more timely. (Elisa Bray), There’s a cruel irony that the release of The Cranberries’ final album should come just a week after journalist Lyra McKee was shot dead by the New IRA during a riot in Londonderry. But you don’t come away from this record feeling downcast. It’s more a reminder of how fleeting yet beautiful life is, and an appeal to make the most of it. This is precisely what Rapsody has done – in the most resonant way possible. Yorke often tends to make his most explicit political comments outside of music: in a recent interview, for example, he complained about how discourse has regressed, referring to British and American politics as “a Punch and Judy show”. Those hoping for a barbed protest record in keeping with Del Rey’s newfound public activism (last year she called President Trump a “narcissist” who “believes it’s OK to grab a woman by the pussy just because he’s famous”) will be disappointed. This deathly intrigue is drawn from Lenker’s own personal traumas, which she successfully spins into something that feels universal. Pour calculer l'évaluation globale en nombre d'étoiles et la répartition en pourcentage par étoile, nous n'utilisons pas une moyenne simple. Crikey. There’s some of that, as vocalist Jason Williamson skewers documentary-makers who take advantage of the poor in “Kebab Spider” – “the skint get used in loo roll shoes” – but elsewhere this is a record that expands the idea of what Sleaford Mods could be. She banged a cast iron radiator with a spoon to celebrate the echoes and curves of essential pipework: “I put all the hard plumbing on the outside. In a way, Grim Town portrays the journey from adolescence into young adulthood – with all the introspection, resignation and wide-eyed forays into love that entails.
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