Electre: comparaison des différentes versions de l’histoire ESCHYLE SOPHOCLE EURIPIDE GIRAUDOUX SARTRE ANOUILH Titre Les Choéphores (= « les porteuses de libations ») : 2e pièce de la trilogie qui commence par Agamemnon et qui s’achève par Les Euménides. Électre, libérée d'un mariage non consommé, est quant à elle promise à Pylade, fidèle compagnon d'Oreste, et le suivra dans ses demeures. Chrysothemis is too afraid to agree, so Electra resolves to do the deed herself. Electre, maltraitée par Egisthe, s'est vue forcée d'épouser un paysan argien, qui, d'ailleurs, respecte en elle la fille des rois. A bitter sisterly discussion follows, during which we find out that, though Chrysothemis feels annoyed with Aegisthus and Clytemnestra as well, she doesn’t think that Electra does anybody a favor by all this “vain indulgence in futile anger.” Hurt by her comments, Electra insults her back, and the Chorus has to intervene to stop a quarrel. Electra welcomes Aegisthus, who immediately asks her if Orestes is truly dead. selon les recommandations des projets correspondants. She taunts Electra, who, hurt and distraught, invokes Nemesis, the goddess of vengeance, to take revenge for her brother’s death. Euripides' Electra (Ancient Greek: Ἠλέκτρα, Ēlektra) is a play probably written in the mid 410s BC, likely before 413 BC.It is unclear whether it was first produced before or after Sophocles' version of … Clytemnestra takes the messenger in the house, leaving Electra alone on the stage. Sophocle avait révolutionné Eschyle et Euripide révolutionne Sophocle. La pièce de Sophocle serait datée de 415 av. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction . Just like the first episode of Libation Bearers, the second episode of Electra is often (once again, mainly for convenience) divided into four separate scenes. Je tombe à tes genoux : sauve-moi de la mort. At this moment, Electra’s sister Chrysothemis enters the stage, bearing funeral offerings. The three are here with a mission: to avenge the death of Agamemnon. It is evident that the same fate awaits him as well. La dernière modification de cette page a été faite le 17 décembre 2019 à 13:54. Expédié sous 2 jours. However, even though they abhor the deed that has caused her misfortune, they urge her to be more trusting in the gods and less angry with the rulers, for the latter is fruitless and the former, in time, can bring both Orestes and, with him, vengeance. ORESTE Il n'est personne que j'aie plus le droit de toucher. La scène se passe devant la maison d'Électre, où elle vit avec son époux, un simple laboureur (cette originalité du mariage entre classes sociales opposées se retrouve également dans la réécriture du mythe par Jean Giraudoux, œuvre dans laquelle Électre est destinée à épouser le jardinier du palais) qui respecte sa condition de princesse au point de n'avoir pas consommé le mariage. Sur le chemin, il devra impérativement faire juger son crime sur la colline d'Arès. Dans Agamemnon ou Les Porteurs de Libation, première pièce de l'Orestie dont l'intrigue est à peu près équivalente aux événements de Électre, Électre reconnaît son frère par une série de détails: une mèche de cheveux , une empreinte qu’il a laissée sur la tombe d’Agamemnon et un vêtement qu’elle lui avait confectionné des années auparavant. Electre, la tragédie d'Euripide, a été représentée probablement en 413 av. Théâtre complet : Eschyle - Sophocle - Euripide, Les Tragiques Grecs, Euripide, Sophocle, Eschyle, Lgf. Aegisthus orders the palace doors to be open wide so that not only he, but the whole of Argos can see Orestes’ dead body. L' Électre d' Euripide est très différente de ses consoeurs d' Eschyle ou de Sophocle. It is evident that, unlike her sister Chrysothemis, Electra cannot bear the situation any longer, and for this, she is soon reprimanded by Clytemnestra. Sophocles was a Greek playwright living roughly around 400 BC. Although it is unlikely that we will ever discover whose Electra came first—Sophocles’ or Euripides’—they both seem to benefit from comparative analysis (to both Aeschylus’ Libation Bearers and between them), especially in terms of the characterization of the main protagonists: Clytemnestra, Electra, and Orestes. After telling her this and reminding her that no man can avenge the death of their father now, Electra tries to persuade Chrysothemis to aid her in killing Aegisthus and Clytemnestra. La vieille cité d'Argos, loin de laquelle tu languissais, Ce bois sacré de la fille d'Inachos harcelée par son taon ; ESCHYLE Les Perses / Les Sept contre Thèbes Les Suppliantes / L’Orestie : Agamemnon, Les Choéphores, Les Euménides Prométhée enchaîné SOPHOCLE Ajax / Antigone / Les Trachiniennes Œdipe-Roi / Électre / Philoctète Œdipe à Colone / Les Limiers (fragments) EURIPIDE Alceste / Médée Les Enfants d’Héraclès / Hippolyte Orestes is depicted as pretty smart, bold, and in control of the situation. The play ends as he is being carried off stage to be murdered at the very same place Agamemnon had once been. All of a sudden, Chrysothemis, “pursued by joy,” hurriedly enters the stage. Although it is unlikely that we will ever discover whose Electra came first—Sophocles’ or Euripides’—they both seem to benefit from comparative analysis (to both Aeschylus’ Libation Bearers and between them), especially in terms of the characterization of the main protagonists: Clytemnestra, Electra, and Orestes. censeurs , il ne s'agit que de rendre Electre tout-a-fait à plaindre : je crois y avoir mieux réussi que Sophocle , Euripide , Eschyle , et tous ceux qui ont traité le même sujet. La date de création précise n'est pas connue mais du fait de son style et de ses thèmes il s'agirait d'une pièce tardive du poète, contemporaine de l'Électre d'Euripide, et créée probablement vers 414 av. Concernant le contenu des pièces, on apprécie de retrouver des personnages mythiques et de voir comment leur histoire se construit et s'enrichit d'un auteur à l'autre. Not much time passes, and Electra rushes forth from the house and tells the Chorus that Orestes and Pylades are currently beside Clytemnestra and about to do the deed. La popularité des Oresties de Eschyle (produites en 458 av. As often, Sophocles’ restraint and balance in characterization places him somewhere in the middle between these two extremes. On considère habituellement que l'Electre d'Euripide est postérieure à celle de Sophocle. C'est ajouter à l'horreur du sort de cette princesse, que -d'y joindre une passion dont la contrainte et les remords ne font pas toujours les plus grands malheurs. Electra comes out and, after greeting the sunlight, reveals her never-ending grief caused by the cruel murder of her father and the prolonged absence of brother. Frère et sœur ne se reverront jamais. Cette section est vide, insuffisamment détaillée ou incomplète. He is known for his advancements in character development and for adding a third character to his plays, relying less on the chorus. Now that Electra knows everything, a full plan of action is concocted, and soon after, Orestes and Pylades enter the palace and kill Clytemnestra. In Aeschylus, despite the title, Clytemnestra seems to dominate Oresteia, the whole trilogy of which Libation Bearers is part of (even though she is dead by the end of the second play). “It is nevertheless with goodwill, like a true-hearted mother, that I dissuade you from begetting misery upon miseries,” say the Argive maidens to Electra. La scène de la reconnaissance entre Oreste et Électre est un moment proprement pathétique du drame : dans l’ensemble, elle est traitée de la même manière, avec quelques variantes, chez Eschyle, Sophocle et Euripide. Euripide, y fait preuve de mauvaise foi en inventant des éléments qui ne se trouvaient pas chez son prédécesseur comme ressort comique[4]. After Electra asserts her desire that Orestes might come back and avenge their father, Clytemnestra finally makes her offerings to Apollo and prays for release from her present fears. The third scene of the second episode is actually a kommos, a lyrical song of lamentation sang together by Electra and the Chorus. He immediately guesses that Orestes stands before him and that he is about to be murdered himself. Ian Storey and Arlene Allan are right to pose the question: “Does this Electra have anything to live for once the murders are done?” Based on her actions in the play, the answer seems decidedly negative. J.-C. La tragédie est célèbre pour sa réécriture de la scène de reconnaissance entre Oreste et Électre, dans laquelle Euripide parodie Eschyle[3]. Elles constituent un ensemble unique. L'Électre fait partie des pièces dites « alphabétiques Â», probablement issues d'une édition complète d'Euripide classant les pièces par ordre alphabétique, et qui ne sont connues que par deux manuscrits[5]. He and his two contemporaries, Aeschylus and Euripides, are some of the most important Ancient Greek playwrights.Aeschylus, who was older than Sophocles, was the big man around town (or at least, the big playwright around town) when Sophocles made his entrance onto the theatre scene. The pedagogue then enters with some sad news: he falsely reveals to Clytemnestra and Electra that Orestes has been killed at Delphi. He is not only the one who devises the plan from scratch, but he is also much more resolute and much less unafraid of the deed than Aeschylus’ Orestes. Eschyle - Sophocle - Euripide, édition établie par Louis Bardollet, Bernard Deforge etJules Villemonteix; ouvrage dirigé par Bernard Deforge et François Jouan, Paris, Robert Laffont, 2001. Finding her kindhearted counsels repelled, Chrysothemis proceeds on her errand, and we soon find out that, curiously enough, the funeral offerings she bears are intended for Agamemnon—and have been sent by none other than Clytemnestra. These are Orestes, son of Agamemnon, now twenty years of age; his faithful friend Pylades, son of King Strophius of Phocis, from whose court the three are now coming; and a Pedagogue, an old man who had been the tutor of the infant Orestes and who had secretly carried him away to Phocis soon after the murder of Agamemnon. Euripide utilise sa scène de reconnaissance pour faire allusion au livre XIX de l'Odyssée mais remplace l'héroïque chasse au sanglier par un incident semi-comique impliquant une biche[6],[7]. And indeed, as soon as the doors are opened, a corpse, hidden by a veil, can be seen lying on a bier; on either side of it stand the two Phocian messengers who are supposed to have brought it. J.-C. [1]. Les évolutions purement théâtrales propulsent Euripide à mi-chemin entre Eschyle et Racine. Exp�dition sous 24h. In fact, Sophocles seems to define her only in relation to the death of her father, her only desire being revenge even after she hears the news of Orestes’ (false) death. After a while, under the guise of a Phocian messenger, Orestes himself enters the palace with an (empty) urn, claiming that it contains his very own ashes. Occasion . So, Orestes has devised the following plan. Giraudoux et le mythe d'Electre Introduction Eschyle, Sophocle, Euripide. Au retour d'Oreste à Argos, parti en exil depuis son plus jeune âge, tous deux décident de venger le meurtre de leur père Agamemnon en tuant leur mère Clytemnestre et son amant Égisthe qui règnent sur Argos. The three hide away after they hear a woman wailing from inside the palace. Most scholars agree that the decade in question is the penultimate of the fifth century (420-410). Dans l'Odyssée, Oreste retourne à Argos et se venge de la mort de son père. Électre (en grec ancien Ἠλέκτρα / Êléktra) est une tragédie grecque d'Euripide, sans doute écrite dans le milieu des années 410 av. Un article de Wikipédia, l'encyclopédie libre. See Also: Orestes, Electra, Sophocles, Libation Bearers, Electra: GreekMythology.com - Dec 10, 2020, Greek Mythology iOS Volume Purchase Program VPP for Education App. Ces trois Grecs, grands tragédiens de l'Antiquité ont écrit leur propre version d'Electre. Followed by attendants bearing offerings for Apollo (whose alter stands just before the palace), Clytemnestra appears on stage and immediately starts a quarrel with Electra: “You run loose again, it seems, since Aegisthus is not here, who used to always keep you at least from coming out to the gates and shaming your family.” In the discussion which follows, Electra blames Clytemnestra for wickedness and impiety, while she justifies the murder of Agamemnon by stirring up memories of Iphigenia’s sacrifice. Once inside, it will be easy for them to kill both Clytemnestra and Aegisthus. Il crée l'ancêtre des actes au théâtre, il abaisse la proportion de répliques chantées, il crée d'ailleurs de véritables dialogues. In his Electra, Clytemnestra is portrayed as weak and feeble: she is unable to control her daughter and, as indicated here and there, is entirely subservient to her husband, Aegisthus.

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